INDIGO DREAMS

PUBLISHING LTD

 

GROUND COVER

Ann Pilling was born in Lancashire in 1944 and lived there for her first 20 years.  She read English at London University and took an M Phil with a thesis on the fiction of C S Lewis which was her introduction to great children’s books. She started her writing career in 1981 with the publication of ‘Black Harvest’ which became a Collins Classic. ‘Henry’s Leg’ won the Guardian prize in 1986; it was subsequently televised and also became  a ‘classic’, this time with Puffin.  She has written and edited over 30 books for children. She has been  a popular public speaker on television and on radio  and particularly enjoys talking to children. In 2009 the Swaledale Festival commissioned her to write the libretto for ‘Semerwater’, a musical play which won the Local Hero Award in the AMI International Awards the same year. Her poem ‘Life’ ( The Dancing Sailors) was set to music by Michael Brough and sung at the Festival in 2010 by Patricia Hammond.

 

She has always  written poetry but only turned to it full time in 2005. She subsequently won the Smith/Doorstop Competition 2007 for ‘Growing Pains’. Her first collection, ‘Home Field’ was published in 2008 by Arrowhead. Indigo Dreams published ‘The Dancing Sailors’ in 2011 and now publishes her third collection’ Ground Cover’. She is currently preparing poems for her next collection, working title ‘At This Point’ and also finishing  ‘My Life in Plastic Bags, a memoir. She lives in the Yorkshire Dales which she describes as ‘the country of my heart’.  

 

SEE ALSO

THE DANCING SAILORS

 

 

ANN PILLING

 

GROUND COVER

 

Cover design by Ronnie Goodyer from the painting 'A View from Welton, Yorkshire' by John Sell Cotman, reproduced by permission of the Bridgeman Art Library.

Author photo by Arthur Francis

 

ISBN 978-1-909357-96-9

 

Indigo Dreams Publishing

 

Poetry

 

138 x 216mm

 

54 pages

 

£7.99 + P&P UK

 

PUB:  23 NOVEMBER 2015

 

 

ORDER HERE

 

 

 

 

 

 

Crème Brûlée

 

Tap goes the spoon’s beak

on sugared onyx making white webs,

splinters crack open, sink into a honey sea

and we suck sweetness.

Behind drapes, frost skins the water meadows

where she used to skate,

town child testing her heel on a grubby pond.

 

Ageing hostess now, serving a chic dessert, she watches

mouths shut and open , sees

juices dribble down chins,

itches, as her mother did once, to wet

the clean corner of a hanky with her tongue

and make all clean.

 

 

 

For George in Scotland

 

Today I think mainly of trees because on waking

after your night journey you whispered

‘Trees’ in a voice soft as leaves.

 

Then we were out on the grass and I saw

your stubby toes dig deep in its ancient softness

milking the earth. The crag

was Chinese White that morning, a slip of sky

caught on it like a blue hanky while the trees

stood sentinel for you at the jaws of life

 

Later through a long window we saw

rabbits. Taking my hand you uttered

‘Peter’ in your light leaf voice.                      

 

 

 

 

 

This collection ‘covers the ground’ Ann Pilling has travelled since her last collection, not only on physical journeys but on journeys of the mind and the heart. So in addition to poems about remote places , there are poems about  ageing and being young, about death and birth;  there is much too about the natural world and how one is redeemed by its birds and  its animals and  by the sheer beauty of its landscapes.

 

 

 

 

Ann Pilling amend

An Evening Walk

for Elizabeth Bishop

 

I could make wine from these late brambles,

the berries are intensely sweet

and tiny and curiously pointed, as if intent

on making a statement.

 

As the sun drops this water’s panelled gold,

on its bed all the egg-shaped pebbles show clear

the big ones like melons, we watch

the current snag itself on a thin upright stone,

wrinkling the surface      

as if someone’s drawn a nail across it.

In a corner of the churchyard a lone grave, green-furred,

presses itself for warmth against a wall, we pass through

to the homeward meadow where the light’s flower-soft

all the sheep tinged rosy. That rock in the middle

that  jagged finger-post with the iron lump stuck in it

what is that rock? The remains of a gate? Excalibur?

I have noticed before

that the ewes always give it a wide berth.

Lower down , where the river makes big snakes,

four rabbits chase each other over their grazing grounds

in the lee of a grassy rampart, quite high

and pointed like those berries in the hedge.

The guide book says it’s an ancient flood barrier.

 

Suddenly the smallest rabbit is left alone.

Can rabbits swim? What’s happening

on the other side of that rampart? The setting sun

seals a composite image of meadow, stone and water.

But where to begin, which thread

To follow from here?

 

I’ll go for the rabbits.

 

 

 

Eden

after John Burnside

 

What did God mean when he put

two people in a garden and in the middle

that supreme tree

and the snake of a river

to water it and a back lane

where he could spy on them

in the cool of the day

letting frogs fill the silence?

 

Why didn’t he provide

a shed for these people

and a little fence

give them neighbours?

His revenge was terrible

angels at all four corners

with flaming swords to protect the Tree of Life.

 

Their error was minor

everyone gets hungry at times

but they were thrown

into the wilderness for sharing an apple.

 

Eden became a dream,

from then on there was only mud and labour,

Eve spawned children like tadpoles

while  from his harsh fields

Adam watched her grow fat

and found another woman.

Queen Lear

 

I’m old and I want to go naked.

If I lay out for weeks in blistering sun this skin

that puckers like cling-film when I draw a nail across it

might thicken and darken, I could be a seal,

in a cold climate I might grow fur,

I could be a bear. Hefty and waistless,

the bear and the seal are poetry in water.    

 

Pulling two stockings as far as my knees

takes an hour and I have to rest after, some days

I can’t make my bed, my fingers

have twisted like thorn twigs, this torpedo body

is not the willow limbs men worshipped once.

 

So it’s Off, off, you lendings! Come; unbutton here.  

Fetch me a big sea. Grand pups and grand cubs

swim with me now.

 

 

 

 

The Armourer Comes for My Stepmother

 

He is taking away her armour piece by piece

grieves, gauntlets, helmet, cuisses. She has

no use for them now. He will

re-cut, melt down.      

 

This recycling would please her;

there was always a hardness,

our early gifts for example, after the marriage,

would go into stock for her cleaners.

 

I envied her long hands, her gloves

fine as a skin, her long feet

in those luminous green shoes we marvelled at,

children, too frightened to open our mouths.

 

Now she stares long and hard at the cheese grater

wondering what it is for. Last night

she came into my room

sifting through my features for our long-dead father.

 

9781909357969