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Soul Feathers has been compiled to appeal to all members of the public, from those who are familiar with the best poets writing today to those millions of people who support the work of Macmillan and want to enjoy accessible poetry from all walks of life.
We have included poems from the Poet Laureate Carol Ann Duffy and music legend Bob Dylan to those who are being published for the very first time
“His Royal Highness has asked me to wish you every success with the book ‘Soul Feathers’.”
Mark Leishman, Private Secretary to TRH The Prince of Wales
“The Prime Minister greatly appreciates the excellent work of Macmillan Cancer Support and hopes that the anthology is a great success.”
Matthew Style, Private Secretary to Rt Hon David Cameron, MP
Soul Feathers is taken from the poem by Emily Dickinson reproduced below. We felt it a perfect match for the cause, hope being at the very core of the soul, feathers to conjure flight and possibility, the possibility of escape or adventure, to move to different worlds inside your head.
Tell everyone you know about this book. Spread the word through your emails, your MySpace, your Facebook. Ask your poetry editor to mention in the magazines you support. (Except the three Indigo Dreams publish - we know already!)
If you are published in the anthology and wish your local newpaper to be aware of this to help raise funds, let them know you are alongside these great names. Let them have this website address so that people may order, or give the ISBN so people may order at any bookstore, or give them Central Books telephone number. Leave no stone unturned!
If you email your FULL details, name. address, tel number, and the FULL details of email contact and title of your local newspaper, Indigo Dreams Publishing will send an email release for you. We cannot correspond with you regarding this but will copy you in on the email sent. It cannot be sent unless all details requested are given.
Thank you for your amazing support, let us create this awareness now and see Soul Feathers soar!
Hope is the thing with feathers
That perches in the soul,
And sings the tune--without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Each and every day, 822 people in the UK are told the devastating news that they have cancer. Macmillan Cancer Support aims to improve the lives of people living with cancer, as well as supporting family members, friends and carers. Macmillan’s increasing range of services, include nurses, doctors and other health professionals, cancer care centres, specialist cancer information and help with money.
Right now, Macmillan are only able to reach one in two people who need this vital support. It is their ambition
to be able to reach everyone.All of these services are only possible thanks to people’s generosity and every penny raised by the sale of Soul Feathers really will make a difference.
If you have questions about cancer you can contact
Macmillan on 0808 808 00 00,
or visit www.macmillan.org.uk
UK
EUROPE
REST OF WORLD
Here is the place where Loveliness keeps house,
Between the river and the wooded hills,
Within a valley where the Springtime spills
Her firstling wind-flowers under blossoming boughs:
Where Summer sits braiding her warm, white brows
With bramble-roses; and where Autumn fills
Her lap with asters; and old Winter frills
With crimson haw and hip his snowy blouse.
Here you may meet with Beauty. Here she sits
Gazing upon the moon, or all the day
Tuning a wood-thrush flute, remote, unseen;
Or when the storm is out, 'tis she who flits
From rock to rock, a form of flying spray,
Shouting, beneath the leaves' tumultuous green.
I live in Ana’s caravan,
strew it with poppies and moss.
She adds cornflowers, cow parsley,
liking colour, greens and blues.
I position the van towards the moon.
She’ll sleep here
or in the woods.
I can never be sure,
but if it’s a night when she’s playing
with wolves, I undo the latch
and sew. I cover her bed
in Kente cloth and matted grass,
find a pink Formica table
from a seaside café that’s selling up,
place it by the window,
so she can paint the stars
by numbers. I leave her
offerings of a bamboo bar,
a solar-powered record player,
scratched jazz.
I love to watch her dance,
how quetzals lift her step,
lizards pull her to the ground.
I cook a dish of cacti,
leave it steaming at her feet.
From The Girl with the Cactus Handshake - Katrina Naomi, Templar Poetry, 2009.
In the darkness,
There was a light he could not see;
In the light,
There was a darkness in what he found;
Uncovering "true" beauty,
When it could not be found on the surface;
In the "I" of the Performer,
Beauty was uncovered in the tiny aperture,
The smallest little opening in his mending heart;
A ray of life...
A puzzle piece to a complicated story;
A light of truth...
A dream becoming reality;
Some stories when properly discovered...
Have happy beginnings.
In loving memory of James Key - A True Inspiration
In the ring around a blackbird’s eye, find me.
In a cup of ocean, a patch of sky, find me.
On this the shortest day of winter,
in the persistence of a seagull’s cry, find me.
In a blade of grass by a dusty roadside,
in the mating song of a harvest fly, find me.
In the huddle of trees outside your window,
in the moon’s gaze and the wind’s sigh, find me.
At the top of a blue stack mountain
imagine feathered wings and fly, find me.
As you cast your breath you’ll find the answer
in the place where shadows lie, find me.
From ‘Is it possible to write a religious poem in the 21st century?’ - Flarestack
I gave you the forest,
Full-leaved, carefully escaping itself;
Its carved secrets ringing in
The shrinking mouth of a lost bird.
You took it, direct as a prayer
The way a child receives an alien
Fruit, or discerning fly
Addresses a casual wound.
And we settled. Inseparable
Yet estranged in our sharp-shaped thoughts,
Dropping from the steps to
The muted absence of what lay ahead.
It was a place borrowed
Where we borrowed ourselves,
Warped in time’s rumours.
With vines. Flint.
And you smiled across the
Interlude to a vanishing point:
A hint of verge where the white stone lay-
Its dreams still learning;
Its lyrics, grey.
He knew he had been singled out for greatness
and so he told himself he shouldn’t mind
if other children labelled him as “odd”
for frowning on their infantile behaviour
as though he stood apart from them, disdainful
of their prattle and their giggling and their sloth.
He knew that other peer-groups would await him
and so he bore the hurt of not belonging
and clung to his integrity with ardour;
a shabby little hero of the inkwell.
His masters voiced approval, but the praises
of those he prized and yet despised stayed absent.
He knew, his genius once become apparent,
that those who mocked him now would one day crow
about the days when they had been acquainted
conveniently forgetting cruel taunts
and they would fawn and simper when, by chance,
they met him, reminisced, and parted friends.
He knew his future would eclipse the present,
though he would find it easy to forgive
their envy, seeing him inspire desire
in glamorous women, mindful of their sneers
because he’d longed for more than transient pleasures
and waited, waited for a precious joy.
He did not know the depth of self-deception
he practised, for, if truth be told, he never did
amount to very much, and people always would
consider him as singular, and wonder why
he never made the effort to conform;
he might have been contented to belong.
From Singular – Indigo Dreams Publishing 2009
You have endured.
Stolen from the light
You faced your darkness;
Bravely you returned,
With wisdom and insight.
But darkness recurred,
Gripping you softly.
Reaching out and out
It spreads across the void -
To touch all of those
You have ever loved.
Poppies by Bosch – Wendy Webb
There is a piece of jigsaw
awaiting revelation, to the most misshapen poet
inspired by poppies.
Today, or tomorrow, the dove will descend
and all those pieces connect,
a work of art.
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